• Better Than You Think

    The first time you ran into a wall it came as a surprise. Not because you didn’t believe in walls, but because you didn’t know they could appear in the middle of a sentence. But you broke through it like the Kool-Aid Man, with the same broad smile, the same blatant disregard for plaster and paint. Because you were a writer and that’s what writers do. They persist. And persist you did. Through the next wall and the next, until one day you hesitated. Do other writers run into this many walls? you wondered.  Writing used to be about ideas and dreams. Once, you were an architect with an empty skyline and…

  • True Stories

    They tell you to tell the truth and this sounds reasonable but you’re not quite sure how to do it. They also tell you to do other things. Kill your adverbs. Kill your semi-colons. Kill your darlings. Kill your prologues. Oh, you say, those I can do. So you set the truth aside and head to the killing fields. You reach for your metaphoric fountain pen, dip it in metaphoric red ink, and prepare to earn another metaphoric belt in the ancient art of Strike-Thru. At first you move cautiously, uncertain, fearing that you might condemn words just because of the clothes they wear. But it’s not their clothes, it’s the…

  • When to Ignore Your Editor

    I’m not a member of any elite editorial clubs. I don’t dine with editors who have touched the Manuscripts of the Gods. I don’t have an MFA or a PhD or a WtF in Writing/Editing/Pontificating. I don’t play tambourine in an all-editorial band and I haven’t been contacted by the The Wall Street Journal or The New York Times or NPR to do an interview on what it’s like to walk with literary giants or play the tambourine in an all-editorial band. So please feel free to take what I’m about to say with a grain of salt. Or a bottle of wine, whichever puts you in the proper mood…