• How to Write Good Dialogue (Part Two)

    My ancient (by Internet standards) post on “How to Write Good Dialogue” is inarguably the most popular of my bloggish renderings, based on search data anyway. (You probably preferred this one because you don’t like to follow the crowd. You’re the anti-hipster of hipsters.) It seemed prudent, then, to follow that up with another post on dialogue. [Checks date on previous post.] Yeah, I’m a little slow when it comes to prudence. Anyway, here you go. Wait…you read the other post, right? Well click here (or above where it’s also linked because I’m a linking fool) first. Then come back to this page for more dialogical goodness. [I don’t need to mention that there are…

  • How to Write a Novel

    You’re going to need an idea. It can be a clever plot. Something about uncontrollable magic or unpredictable mayhem or unconventional love. Or maybe your idea is a character. Someone who stands out. Someone who blends in. Someone who lives in a coffee house attic. Someone whose feet never touch the ground. Okay, now the hardest part: You must write a sentence. Any sentence will do (yes, even a sentence fragment) because you’ll probably change it a hundred times anyway. Here, I wrote some for you: The monkey never saw it coming. Halfway between the sky and the sidewalk, she realized she had forgotten how to fly. His favorite sound and his favorite activity were defined by the same two…

  • Chasing, Maybe

    When I first started writing, I attempted to emulate my favorite authors (though Arthur C. Clarke and Ernest Hemingway would have struggled to find even the slightest resemblance). This is the way it goes for many writers. We begin our journey to uniqueness by trying to be someone else. Isn’t it the same way with musicians? [Cue “Smoke on the Water.”] It’s only after hundreds of thousands of words, most of which we prefer to forget, that we finally begin to find our one-of-a-kind writing voice.* And then what do we do? We use that compellingly unique voice to tell the stories we think will sell. Not right away. First there’s a season when we write the…

  • The Fault in Our Stares

    If Neil Gaiman walked into this coffee shop, I’d be starstruck. I’m not easily starstruck. As I slog through the latter part of middle age, I just don’t have the energy to drum up enthusiasm for the common celebrity. Confession: I haven’t read Entertainment Weekly in years. Last summer I visited the set of the new Zach Braff movie (coming to theaters near you this July – and depending on the edit, starring me in one scene as a blurry background extra) and was non-plussed by the famously tanned faces that wandered in and out of the virtual frame. My favorite part of the visit was talking briefly with Zach’s much less famous brother, Adam,…

  • (How To) Listen to Everything

    The best advice about how to be a better writer can be summed up in six words: Read a lot. Write a lot. I can’t tell you how many times I’ve said that to writers. (Not because it’s a secret. I just didn’t keep track.) If you’re not doing both of those things, any other advice you might unearth as you wander this vast Internet wasteland won’t do you much good. There are no shortcuts to “getting there” as a writer. By “there” I mean a place where your writing is distinct enough that readers want to read all your books, and compelling enough that they forget you exist between the…

  • Enough

    My hair is mostly gray. I’m not young enough to engage in Twitter conversations with YA authors. But not totally gray. I’m not old enough to be revered by them. I write by the seat of my pants. I’m not degreed enough to talk shop with the MFA crowd. I was raised in the church. But I’m no longer Christian enough for that culture, or the subculture of writers who are fighting to find their place in it. I was married for a quarter century. I’ve been alone for nearly a decade. I’m not married enough to join you and your husband for dinner. I’m not single enough to find…