Apr 17 2010

Things I’ve Said on Twitter

This is a totally lame excuse for a post. It’s just a bunch of stuff I’ve tweeted over the past couple of months. Some of you have already been subjected to this madness and would rather be pecked to death by a sparrow than read it again. This isn’t for you. This is for those of you who don’t tweet…or who were too distracted by tweets about Justin Bieber to notice mine.

Many of these have something to do with writing. The rest have more to do with my personal psychoses. Feel free to offer your diagnosis in the comments.

While you amuse yourselves with this, I’ll go write a real post.

*Note of warning to those of you with severe OCD: These tweets are almost all in chronological order (from most recent to…not so recent). Did you notice that word “almost”? Yup. I did this to mess with your head.

Twitter recap 1
Twitter recap 2
Twitter recap 3
Twitter recap 4
Twitter recap 5

That should do it for today. Now you know what it’s like to be waterboarded. Thing is, I’ve got pages and pages of this crap. So you’ll probably see a few more pages the next time I pretend to care about how often I blog.

Now, back to that post I was writing. It’s about wasting readers’ time with filler.

No, it’s not. But wouldn’t that be clever and ironic?


Apr 7 2010

Trails for Rabbits and Writers. And Rabbits.

Struggling with your current work in progress? Good for you. I mean, it’s lovely and wonderful and all when the story just flows like gravy over the Spoon Ridge Mountains of your mashed potatoes, but if you ask me, struggle is a good thing.

You’re somewhere in the middle of your book, aren’t you. And you’re totally frustrated. And ready to quit. Actually, yes, I am psychic. You’re also not eating enough vegetables and you need to call your mother and the world is going to end in 2012.

But before you grab and drop your messterpiece in the virtual trash, read the rest of this blog post. Your novel may yet be salvageable.

I said may be salvageable. Because let’s face it, sometimes the whole project does belong in the trash. But usually, it’s just a few pages here and there that deserve such fate.

This is where I must pause and offer a moment of reverent silence for the Days of Typewriters and Correction Fluid. In those days (yes, I actually am old enough to remember those days, the proof of which can be found in my so-mild-it’s-almost-precious brain damage, an unavoidable result of inhaling the literary scent of a generation: Liquid Paper), there was only so much you could fix on a page before it started to look like a cheap hooker in bad Kabuki makeup. That’s when you would practice the time-honored rip, crumple and toss that reminded you in multi-sensory fashion just what a horrible writer you were. At least on that particular page. Sometimes, the joy of actually making a three-point shot in your wastebasket would cheer you up enough to return to your novel in progress with renewed vim and vigor. But probably just vigor. Vim doesn’t get out much. Same with flotsam and jetsam. Flotsam gets lots of solo dates. Jetsam? Nope.

Today, it’s too easy. Bad writing doesn’t engage enough of our senses. It’s just “click, drag, pop” accompanied by wind chimes and the chirping of happy sparrows. There’s no satisfying machine-gun gear-grind inevitably followed by a pained groan from a spouse or co-worker who respects machines far more than humans and considers the removal of a sheet of paper from typewriter by anything other than gentle spinning of the platen wheel a mortal sin.

I know, you young folks are all “what? Platen wheel? What?” Google it. Wait, no, don’t Google it. Go to the library and check out a book called an “encyclopedia.” It’s sort of like Google, except it’s better at pressing flowers.

While you’re at the library, go to the fiction section. Grab the dustiest hardcover you can find and remove it from the shelf. Open to somewhere in the middle. Read a paragraph or two. Then find a comfy chair and keep reading. When the librarian taps you on the shoulder and says “we’re closing in ten minutes,” do a quick inventory of the past few hours. Were you drawn inexorably into the story? Or did you fall asleep? If the former, use this as motivation to get back to your own novel in progress. Because, let’s face it, the writer of the dusty library book struggled as much as you did with the middle. She just kept at it, you know? Maybe she took a break and made a BLT, only without lettuce and tomatoes since she really only likes BLTs for the bacon, and this inspired a brilliant idea that the protagonist could be allergic to wheat bread which would then solve her problem of a stalled plot because he just got a job in a bakery. Or maybe she printed out the offending pages, crumpled them up one at a time and played wasteketball until she felt so guilty about her growing carbon footprint that she vowed never to buy bottled water again, which gave her the brilliant idea of making her protagonist a quirky environmentalist because that would create palpable tension between him and his Hummer-driving love interest. Or maybe she went to the library and pulled out a dusty book and sat in a comfy chair and fell asleep because it was really horribly boring.

And when she awoke, she felt just what you did moments ago when the librarian tapped you out of your slumber, an electric surge of superiority all writers politely deny in public but crave in secret that goes by the name: “I can write better than that hack.” And as you brushed away fading dreams of secret library rendezvous and monkeys with typewriters and correction fluid in a spray can that works on annoying people, you realized you can do this.

You can fix the middle. Because you’re a damn good writer. Better than that loser who put you to sleep, anyway.

So go do it. Crumple up a few pages and write some new ones.

But first you should probably make a BLT.

Just in case.

The end. Yup. Really. Feel free to dig for hidden wisdom in this post.

* * *

You may be wondering why I don’t post more often. Why don’t you tell me? Choose from the following, or make up your own answer.

  1. Because I’m lazy.
  2. Because I can’t write until the muse shows up and she’s lazy.
  3. Because I like being contrary and infrequent blogging is exactly the sort of thing blogging experts tell you not to do.
  4. Because more often than not I don’t have anything new to add to the conversation and I have little interest in saying the same old thing in the same old way. Besides, you can get that elsewhere.
  5. Because I’m sending a coded message to rebel authors who are preparing a literary coup of the current publishing regime. (Count the number of days between posts. Assign a letter of the alphabet to each of those numbers. Re-arrange the letters until they make sense, in a “literary coup” sorta way. Follow the instructions carefully.)

Nov 20 2009

From the Office of Admissions

Let’s not call them confessions, okay? Because that reeks of guilt. And for many of the following, I feel no guilt whatsoever.

I admit…

  • I am immediately turned off by best-selling books because I hold fast to an erroneous belief that for something to be popular, it must cater to the lowest common denominator and I prefer to believe I am far above that line.
  • I am not above that line.
  • I pick up a book based on its cover and only rule out a possible purchase if the blurb on the back bores me to tears. Otherwise, I’ll buy it and give the author every opportunity to surprise me.
  • I read more “debut” novels than any other category and am frequently pleasantly surprised.
  • I believe the sophomore slump for writers is usually more about lack of time to write than lack of talent.
  • I believe some writers only have one good book in them.
  • Great writing intimidates me to the point of wanting to give up.
  • Great writing inspires me to superglue my ass to the chair and write until I get it right.
  • I’m constantly conflicted by great writing. And I spend way too much money on superglue.
  • If people ask me what my favorite book is, I tell them “Tender Is the Night” when I want to sound smart and well-read, or “Go, Dog. Go!” if I just want them to stop asking me questions.
  • I haven’t read Anna Karenina, War & Peace, The Brothers Karamazov or anything by Danielle Steel.
  • I have at least 15 books sitting around my apartment (or on the back seat of my car) that I recently purchased and haven’t yet read. I will buy at least 15 more books before I’ve read half of the ones I already own.
  • I am infinitely more bothered by poor characterization or lazy plotting than misspellings or other typos.
  • I am quick to fall in love with a writer whose book makes me remember what it’s like to feel the deepest feelings of longing and loss. Then I stalk her with charming and clever emails. When presented with a restraining order, I am initially disappointed to discover that the language in the restraining order is boilerplate and not from the writer’s pen. At first, this hurts. But then I realize she is only choosing this approach because she knows the distance it creates between us will inevitably cause me to remember what it’s like to feel the deepest feelings of longing and loss. She is so clever. I love her.
  • Sometimes I believe it when people refer to me as “brilliant.”
  • Not really.
  • I love my job, even though it occupies my brain 24/7.
  • I have no idea what I’m doing 23/7.
  • The best measure I have of whether or not my novel-in-progress is any good comes when I go back to re-read an old section and find myself wondering who’s been tampering with my file and re-writing all the crap so it’s actually entertaining and witty.
  • I suffer from low self-esteem.
  • I love everybody.
  • Except when I hate everyone.
  • I labor over every Tweet, every e-mail, and every blog post (except maybe this one).
  • When I write a short story, I don’t always know where it’s going. This, despite the fact that I usually write the last sentence first.
  • I am pretty sure John Irving does this, too.
  • I would never compare myself to John Irving.
  • Unless he tends to fall in love with writers who make him feel the deepest feelings of longing and loss and subsequently stalks them. Then we might have something in common.
  • Unlike how I write my stories, I didn’t start with the last line of this blog post and therefore I have no idea how I’m going to end it.
  • Or do I?

Nov 4 2009

A Guest Post Elsewhere

First of all, if you’re coming here from @katdish’s “Hey Look, a Chicken” blog, don’t click on the link below. It’s just going to take you right back to her post and then you’ll be stuck in an infinite loop and will eventually die of starvation. Or boredom. But since you’re here, feel free to look at older posts about writing and stuff. Just don’t click the link in the next paragraph. I mean it.

But if you’re coming here from somewhere else, go ahead and click this link so you can read what I wrote for Kathy’s blog. It’s a post called “The Unbearable Being of Linus” and it’s kind of about writing.

Meanwhile, I’m working on a highly entertaining post for this blog that I hope to publish over the weekend. And by “highly entertaining” I mean mildly humorous to anyone who’s had at least three glasses of wine.

Oh, and here’s a picture. It might be a metaphor. Or it could just be a picture of a zookeeper cleaning an elephant cage.

IMG_0104


Sep 22 2009

Writer Vs. Self-Editor

Once upon a time, there was a writer…

Whoa, hold on there. Wait one darn minute, mister.

Excuse me?

“Once upon a time”? Really? Where’s the originality in that? Surely someone who calls himself a “writer” can do better.

There was a writer…

Pa-thet-ICK.

Look, I’m just trying to…

“Was.” Passive verb, my friend. You should know this by now. Passive verbs suck. Spice it up a bit. Put some life in your words or you’re going to put your readers to sleep.

I appreciate your concern, but I’m not trying to write the Great American Novel. It’s just a blog post on…

Just a blog post? Attitudes like that are the clumsy sausage fingers pulling the Jenga blocks from the very foundation of literacy today.

What?

Here. I’ll give you a little help. Kick off the opening with something surprising. Like, “First she broke his heart, then she broke his kneecaps.” Or maybe, “Melinda dove into the water a girl, but came out a mermaid.” Wait, I’ve got it, “The tornado-ravaged mobile home park lay before them like a toppled Jenga tower.”

What is it with you and Jenga?

I like building things and taking them apart. And then re-building them. Sometimes I knock things down for the hell of it. And, no, this sort of behavior does not fit the clinical definition of Obsessive Compulsive Disorder and therefore is considered perfectly normal. My therapists all agree.

Do all self-editors have multiple therapists?

Yes.

Well, thanks for your help, but  I can’t use any of those opening lines.

Why not?

They don’t make sense. Not with the post I’m trying to write.

Okay, fine. What’s the topic?

It’s about silencing your self-editor when writing first drafts.

Ouch. That hurt.

You asked.

First drafts are the bane of my existence. They’re the windless sky to my kite of purpose. The decaffeination in my coffeepot of determination. The upside-down-shake of my Etch-a-Sketch hope…

Okay, okay. I get it. You hate first drafts. And you overwrite. How did you ever get to be an editor, anyway? Don’t answer that. Please be patient. You’ll get your say. Just not yet.

Fine. But make your first pass better this time, okay? I’m still feeling nauseous from the “Once upon a time” bit.

Then you might want to get a bucket.

You wouldn’t…

Once upon a time, there was a writer who couldn’t finish a novel because his self-editor kept interrupt…

I’m going to be sick…

…because his self-editor kept interrupting him before he could get the story on the page. But then one day, just as his self-editor was preparing to correct his spelling of “qeue”…

Arggh…ugh…please…gag…fix…urp…

…he kicked his self-editor in the groin and plowed on ahead. He wrote his story without stopping to fix spelling errors or labor over perfect words or even solve gaping plot holes.

…can’t…breathe…

And wouldn’t you know it? He actually finished that novel. And it was perfect.

Wha????

Kidding. It wan’t perfect. It was better than he expected, but there were still lots of problems. So…he helped his self-editor to his feet and said, “Have at it.”

Finally.

Feel better now?

I will after I fix your crappy  post. Okay, first of all it’s spelled “q u e u e.” Now, about that “Once upon a time” thing…