• Proof of Life

    I haven’t retired. And I’m not yet dead. So to answer the question you may be asking after noticing it’s been a while since I last posted: yes, I’m still editing. So why haven’t I posted recently (or much at all these past few years?) I used to post frequently (check out the archive), partly because I had a lot to say, and partly because that’s how you stay relevant on this World Wide Web. But when you get to be my age (64 as of this writing), you tend to prioritize just about everything else above “carving out a space on the Internet.” Things like physical and mental health,…

  • That’s a Lot of Words

    I’ve been editing for more than thirty years. Not the same book, mind you. That would be insane. When I was organizing a shelf yesterday (as one does when procrastinating), I decided to line up some of the books I’ve worked on. The picture here shows what I found. I don’t have much space for books in my small apartment, and I only have a tiny percentage of the printed versions of books I’ve worked on, so this is just drop in the proverbial bucket. In the interest of full transparency, there is one book here I didn’t edit (Demon, by Tosca Lee), but since I worked on all of…

  • What to Expect From Your Editor

    I hear you’re interested in hiring an editor. Smart move. So what are you waiting for? Grab your checkbook (do those still exist?), your manuscript, and your realistic expectations and get to it. What’s that? You don’t know what to expect? Here. I’ll help. Ten Things Your Editor Can Do Your editor can see what your novel could be someday, no matter what it looks like today. Your editor can show you all the little pet phrases and words you repeat to distraction. Your editor can solve plot problems that would make readers want to throw your book into a woodchipper. Your editor can point out all the ways your…

  • How to Write Good Dialogue (Part Two)

    My ancient (by Internet standards) post on “How to Write Good Dialogue” is inarguably the most popular of my bloggish renderings, based on search data anyway. (You probably preferred this one because you don’t like to follow the crowd. You’re the anti-hipster of hipsters.) It seemed prudent, then, to follow that up with another post on dialogue. [Checks date on previous post.] Yeah, I’m a little slow when it comes to prudence. Anyway, here you go. Wait…you read the other post, right? Well click here (or above where it’s also linked because I’m a linking fool) first. Then come back to this page for more dialogical goodness. [I don’t need to mention that there are…

  • (How To) Listen to Everything

    The best advice about how to be a better writer can be summed up in six words: Read a lot. Write a lot. I can’t tell you how many times I’ve said that to writers. (Not because it’s a secret. I just didn’t keep track.) If you’re not doing both of those things, any other advice you might unearth as you wander this vast Internet wasteland won’t do you much good. There are no shortcuts to “getting there” as a writer. By “there” I mean a place where your writing is distinct enough that readers want to read all your books, and compelling enough that they forget you exist between the…

  • The Weight of Your Words

    I love my computer*. Let me say that up front, in case it thinks otherwise and decides to unflash its memory. But I have fond (if only for the purpose of this post) memories of a time when writing hurt more than it does today. Oh sure, we have carpal tunnel syndrome and baked sperm syndrome (well, some of us, anyway), but those are fancy aches. Yesterday, a writer’s pain was blue-collar. It was immediate and visceral. Remember writer’s cramp? Now that was a pain you could feel. It started somewhere between thumb and forefinger, then exploded up the arm like lightning. And who can forget the grating, yet sublimely…

  • Make Something Happen

    “Try to leave out the part that readers tend to skip.” – Elmore Leonard I love this quote. Not just because it indirectly gives purpose to the existence of content editors. (Mostly because of that.) But also because it’s impossibly clever and initially appears to be cleverly impossible. I mean, how do you do that? Some readers tend to skip long descriptive sections. So you should leave those out, right? Not necessarily. There’s nothing wrong with good descriptive writing. If your voice happens to be descriptive, some readers are going to go skipping. You can’t stop them. Other readers become impatient with anything that reminds them even remotely of a…