• On the Subject of Subjectivity

    Deep breath… The Da Vinci Code is the best novel ever written. You know it’s based on a true story, right? The Left Behind books are more well-written than anything by Fitzgerald or Hemingway or any of those boring Russian authors. The Road. It changed the way I view dialogue said the man. And punctuation. His life was a series of fragmented sentences. And so was the book. The Road is not just Cormac’s tarmac. It is brilliance said the man. The boy turned his head and coughed. Don’t you dare question the infinite incredibleness of The Lord of the Rings trilogy or a horde of orcs will pour out…

  • Stuff I Made Up Last Minute

    One: In Which I Make a Single Point About Dialogue But Don’t Actually Tell You What the Point Is Because It’s So Obvious Even a Non-Writer Could Figure It Out “So it’s Friday and that means I can talk about whatever I want,” said Stephen. “You can talk about whatever you want any day,” interrupted Stephen’s alter-ego, Pedro. “I know that,” interjected Stephen, “but Friday is my day to be especially random.” “Pedro?” queried Pedro. “You named me Pedro? What’s wrong with you?” “Nothing’s wrong with me,” countered Stephen. “Pedro is a fine name. What concerns me is this horribly stilted dialogue.” “Tell me about it,” grumbled Pedro. “Not only…

  • A Little Editing

    Remember that writing contest I had a few weeks ago? Well, as part of that fun, I asked if I could use some of your entries as editing examples right here in front of everybody. With Jana’s permission, I’m going to show you a couple of ways I might approach the editing of her creative entry. First, I’ll show you the original work. The fire cast mirthless shadows over the face of a stranger. He was encircled by four armed men. A fifth man curiously appraised the unusual items that had been confiscated. One object was like a ring of red light reflecting the flames. Fascinated, the man reached out…

  • What Do You Mean by “Editing”?

    This is the first in a series of “what do you mean by…” posts. I want to tailor this series according to your interests. So…queue up your questions and then send ’em along so I can make this as helpful as possible. I thought it would be appropriate to start with “editing,” since that’s kind of an important topic on this blog. So what do I mean by editing? Let’s start with a little quiz. When you tell a friend that you’re “editing” your novel, which of the following best describes what you’re doing: I’m going through the novel and making sure there are no misspellings or missing words. I’m reviewing the…

  • What Your Editor Is Thinking

    Ever wonder what your friendly editor is really thinking when she emails or calls to talk about your manuscript? Here’s a handy-dandy guide to help you understand the deeper meaning behind her words.* *** When your editor says: “I really like the basic plot. Nicely done!” Your editor is thinking: “Okay, there are 90,000 words here, so that’s a start. And the story has characters and they do stuff. That’s a good thing, too. But whoa baby there’s a ton of work to do. I’m going to have some long nights with this puppy.” *** When your editor says: “I’m not sure the subplot about the missing orangutan is working…

  • The Law of Diminishing Returns

    Last week, literary agent and dispenser of great publishing wisdom Nathan Bransford invited his savvy blog readers to answer the question, “How Do You Know When Your Novel is Really Finished?” (If you haven’t already studied the many and diverse responses, click here to see what writers had to say.) As I consider my own novel-in-progress (I prefer the abbrev. n.i.p. over w.i.p., is that so wrong?), I can imagine I’ll still be editing and re-writing when the Hilton Lunar Resort and Golf Course opens on the moon. (I won’t be able to afford an Earth-view room, but since I’ll be spending most of my time in the Moonbucks coffee…

  • Confidence (and Lack)

    I‘m just going to come right out and say it: sometimes I feel completely incapable as an editor. When these times come, I stare at the author’s words and they swirl together like some cheap TV special effect to spell out “You are a fraud!” I worry every time the phone rings that one of my publisher friends will be on the other end of the line. “Hey, Stephen?” “Yes…?” “We’ve been looking at the book you just edited. You know the one we’re talking about?” Gulp. “Yes?” “…and we were wondering…did you send us the wrong file?” This experience is sort of like a waking version of that dream…