• The Law of Diminishing Returns

    Last week, literary agent and dispenser of great publishing wisdom Nathan Bransford invited his savvy blog readers to answer the question, “How Do You Know When Your Novel is Really Finished?” (If you haven’t already studied the many and diverse responses, click here to see what writers had to say.) As I consider my own novel-in-progress (I prefer the abbrev. n.i.p. over w.i.p., is that so wrong?), I can imagine I’ll still be editing and re-writing when the Hilton Lunar Resort and Golf Course opens on the moon. (I won’t be able to afford an Earth-view room, but since I’ll be spending most of my time in the Moonbucks coffee…

  • About Deadlines

    It’s late Sunday night and my plan to write a week’s worth of posts has been foiled by the usual assortment of weekend activities plus the addition of a time-suck we in the freelance editing world call “gettin’ paid.” For a freelancer, deadlines are no respecter of nights and weekends. I might be able to steal another day or three if I really thought it necessary, but depending on how tightly the book is scheduled through the rest of the publishing process, doing so could put the release date in jeopardy. (Okay, that’s a worst-case scenario, but keep in mind that the author may have already pushed for an additional…

  • Confidence (and Lack)

    I‘m just going to come right out and say it: sometimes I feel completely incapable as an editor. When these times come, I stare at the author’s words and they swirl together like some cheap TV special effect to spell out “You are a fraud!” I worry every time the phone rings that one of my publisher friends will be on the other end of the line. “Hey, Stephen?” “Yes…?” “We’ve been looking at the book you just edited. You know the one we’re talking about?” Gulp. “Yes?” “…and we were wondering…did you send us the wrong file?” This experience is sort of like a waking version of that dream…

  • Breaking the Rules

    Just yesterday, an Internet friend asked me to read his short story and offer him a little editorial advice. Sometimes I get nervous when friends ask me to read their writing, but I’d shared enough of a conversation with him to expect he’d know his way around words. I was right. Even though it was a first draft, the observational story (non-fiction, but with the textures of a great fiction piece) had plenty of bite and surprising depth. One of the things that struck me about his story was the manner in which he introduced dialogue for the various characters. He didn’t separate it from the rest of the first-person…

  • 10 Stages of Grief: The Editor’s Note Edition

    So let’s say you’ve made it through the first hoops and now your Amazing and Brilliant First Novel is sitting on the desk of a Real Life Editor at a Real Live Publishing House. Your contract has been framed and placed on the fireplace mantle between your dusty wedding photo and dustier 5th Grade Spelling Bee Champion trophy. You’ve spent the first part of your advance on the clothes you just have to have for that inevitable booksigning at the Barnes & Noble in Lincoln, Nebraska. And you’ve ordered business cards that list your occupation as “Author” to replace the ones that said “Writer.” Then you get the email. The…