• Proof of Life

    I haven’t retired. And I’m not yet dead. So to answer the question you may be asking after noticing it’s been a while since I last posted: yes, I’m still editing. So why haven’t I posted recently (or much at all these past few years?) I used to post frequently (check out the archive), partly because I had a lot to say, and partly because that’s how you stay relevant on this World Wide Web. But when you get to be my age (64 as of this writing), you tend to prioritize just about everything else above “carving out a space on the Internet.” Things like physical and mental health,…

  • That’s a Lot of Words

    I’ve been editing for more than thirty years. Not the same book, mind you. That would be insane. When I was organizing a shelf yesterday (as one does when procrastinating), I decided to line up some of the books I’ve worked on. The picture here shows what I found. I don’t have much space for books in my small apartment, and I only have a tiny percentage of the printed versions of books I’ve worked on, so this is just drop in the proverbial bucket. In the interest of full transparency, there is one book here I didn’t edit (Demon, by Tosca Lee), but since I worked on all of…

  • What to Expect From Your Editor

    I hear you’re interested in hiring an editor. Smart move. So what are you waiting for? Grab your checkbook (do those still exist?), your manuscript, and your realistic expectations and get to it. What’s that? You don’t know what to expect? Here. I’ll help. Ten Things Your Editor Can Do Your editor can see what your novel could be someday, no matter what it looks like today. Your editor can show you all the little pet phrases and words you repeat to distraction. Your editor can solve plot problems that would make readers want to throw your book into a woodchipper. Your editor can point out all the ways your…

  • The Weight of Your Words

    I love my computer*. Let me say that up front, in case it thinks otherwise and decides to unflash its memory. But I have fond (if only for the purpose of this post) memories of a time when writing hurt more than it does today. Oh sure, we have carpal tunnel syndrome and baked sperm syndrome (well, some of us, anyway), but those are fancy aches. Yesterday, a writer’s pain was blue-collar. It was immediate and visceral. Remember writer’s cramp? Now that was a pain you could feel. It started somewhere between thumb and forefinger, then exploded up the arm like lightning. And who can forget the grating, yet sublimely…

  • Make Something Happen

    “Try to leave out the part that readers tend to skip.” – Elmore Leonard I love this quote. Not just because it indirectly gives purpose to the existence of content editors. (Mostly because of that.) But also because it’s impossibly clever and initially appears to be cleverly impossible. I mean, how do you do that? Some readers tend to skip long descriptive sections. So you should leave those out, right? Not necessarily. There’s nothing wrong with good descriptive writing. If your voice happens to be descriptive, some readers are going to go skipping. You can’t stop them. Other readers become impatient with anything that reminds them even remotely of a…

  • The Maybe (An Imaginary Conversation Between Writer and Editor)

    Writer: Which is the better career – janitor or hairdresser? Editor: I take it you got my editorial notes. Writer: Yeah. So tell me. Which one? Editor: You already have a job. Writer: Humor me. Editor: Hairdresser. Writer: Wrong. Janitor. Editor: I didn’t know there was a right answer. Writer: Exactly! Do you see what I did there? You just fell into my segue trap. Editor: You’re talking about my notes, aren’t you. Clever. Writer: I know, right? So about those notes… Editor: Which ones? Writer: Well…all of them. But let’s start with the one that says “you show great promise.” That’s just another way of saying “you suck as…

  • What To Do When You Get Your Editorial Memo

    Ping. An email just arrived. The one you’ve been waiting for. The one you’ve been dreading. The subject line is three words long. Your editorial memo! The exclamation mark almost makes those words seem benign. Cute, even. But you know what the words are hiding. Red ink. Six weeks ago you sent your finished manuscript (the seventh draft, if you don’t count the first five) to your editor. And now it’s back. With notes. Comments. Suggestions. Demands. What’s a writer to do? Here. I’ll help. Step 1: Stare at the email without opening it for at least 10 minutes or until just before your hands begin to shake uncontrollably. Step…