A good writer is always listening. She listens to the voices of the long-dead, straining to hear writerly wisdom that only time and tide can reveal. She leans a little closer to Hemingway to discover the curious power of understatement and word economy. She plops down next to Dostoyevsky with her moral compass in hand and looks for truth in the floating needle that only points north when Fyodor tells it to. She listens to the voices of the successful. Stephen King raises an eyebrow in reply when she removes a dozen sharp objects from her purse and asks, “which would you use to kill a clown?” James Patterson and…