• Nothing New Under the Sun

    I used to be quite prolific in this space. I know that’s difficult to believe as you scroll down to find the most recent post is from February and the one before that is almost a year older and neither of them has a clever title like, “How to Write When You’ve Forgotten What Words Are,” or “How Can I Possibly Finish This Book When My Protagonist Is Smarter Than I Am?”, or “Six Places in Your House (Besides Under Your Desk) Where You Can Hide From Your Novel.” It’s not that I don’t have anything to say about the writing life. (I have plenty.) It’s just that I don’t…

  • How to Write Good Dialogue (Part Two)

    My ancient (by Internet standards) post on “How to Write Good Dialogue” is inarguably the most popular of my bloggish renderings, based on search data anyway. (You probably preferred this one because you don’t like to follow the crowd. You’re the anti-hipster of hipsters.) It seemed prudent, then, to follow that up with another post on dialogue. [Checks date on previous post.] Yeah, I’m a little slow when it comes to prudence. Anyway, here you go. Wait…you read the other post, right? Well click here (or above where it’s also linked because I’m a linking fool) first. Then come back to this page for more dialogical goodness. [I don’t need to mention that there are…

  • Go Away Publishing Industry. I’m Writing.

    It’s entirely possible that what you know about the publishing industry is killing your chances of being published. I’m not referring to perky and/or snarky agents* who tease you forward with a one-in-a-thousand opportunity they call “querying,” or clueless editors* who wouldn’t know brilliant literature if it bit them in the Franzen. I’m not talking about the endless hoops writers have to jump through whether chasing the graying hope of traditional publishing success or the shiny silver promise of self-published glory. I’m not talking about the dearth of bookstores or the preponderance of ebooks or the utter unpredictability of bestsellers. I’m talking about the thing that lies beneath all these…

  • Good Advice/Bad Advice

    Most people will tell you there are two kinds of writing advice: Good Advice and Bad Advice. I’m here to tell you they’re the same thing. Allow me to explain. Let’s start with that ol’ “Kill Your Adverbs” chestnut. This is Good Advice. Adverbs, more often than not, are redundant. You don’t need to tell me the monkey screamed loudly. Screaming is, by its very nature, loud. Just let the monkey scream. We’ll cover our ears. Adverbs also tend to be evidence of lazy writing. If your context doesn’t reveal the protagonist’s anxiety, simply stating that he’s “pacing anxiously” because that’s what you want readers to imagine him doing will…

  • Absent Brilliance

    Brilliance isn’t something you can buy for yourself. You can only receive it as a gift. Some writers – I’d call them The Lucky Ones except for the fact that their brilliance is usually accompanied by a corresponding (and non-returnable) insanity – are granted the gift by the gods. Or The God. Or the universe. Or fate. (Pick one.) They’re born with it. They can’t deny it. They can’t escape it. It is woven into their being. Tell them to write something bad, they’ll try, and brilliance will whisper in the words they choose to leave out. The naturally brilliant are not perfect. Far from it. But there is an…

  • Write Where You Are (But Don’t Stop Moving)

    I blame Winesburg, Ohio. Not the city; the short story cycle by Sherwood Anderson. Of course, that blame would be misplaced. It was my fault – my ignorance – not someone else’s brilliance that sent me down a wrong path. I had been writing (and editing) for years. Non-fiction, mostly, since fate and opportunity had conspired to offer me relative success there. But one day I decided to pursue the dream I’d harbored since grade school – to become a published author of fiction. First, I would have to overcome a few obstacles, most notably, my complete lack of fiction writing ability. Perhaps that’s overstating it. I was reasonably skilled…

  • You

    Sit down. No, you’re not in trouble. This isn’t about dangling too many participles or ending sentences with prepositions. It’s not about your premise or your plot. It’s not about your characters (they’re all really very lovely). And it’s not about your craft. You want what? A drink? Sure. What would you like? I have tea and coffee and… Really? This early? How about just the orange juice without the vodka? Okay, where was I? Oh, right. You’re a good writer. Your novel is competent, smart and entertaining. You’ve obviously read lots of books on how to write. I bet you read all the really popular agent and editor blogs, too.…