• Sticks and Stones and Words

    Thick skin. That’s what they say you have to have if you’re going to be a writer. Because someday someone will skewer your novel. Not may skewer it. But will. It’s a given. A law. A little like Murphy’s law. A lot like the law of gravity. Someone is going to hate your book. Really, truly despise it. This will inevitably make you want to do one of the following: a. Dig a hole. Climb into it. Stay there. b. Push the writer of that review out of a helicopter without a parachute because anyone who can’t see the subtle brilliance of your prose needs to learn a lesson about great…

  • How to Increase Your Novel’s Word Count

    Word count is the devil you have to love, or at the very least, respect. This is a true statement if your goal is to be published (through traditional methods) someday. Those of you who don’t care about traditional publishing can leave the room now. Go play cricket or bake a souffle or save the whales. Then write about it. Use as many words as you like. The rest of you, please select an abacus from the abacus cabinet and have a seat. Unless you’ve already had significant publishing success or your last name is Rowling or King, you’re going to have to pay close attention to The Count. You’re picturing…

  • The Blank Page

    The blank page strikes fear into writers, but too often for the wrong reason. These writers (perhaps you?) see it as something to fill with cleverness and excellence that will excite the senses and convert the masses. They consider it a space to stuff with characters and plots and subplots and twists and tension and conflict and resolution. To them, the blank page is a empty thing that demands to be filled. And when it doesn’t get its way, it mocks them. It belittles them. It questions their writing talent. Their commitment. Their masculinity. Their femininity. Their parenting skills. Their love of Hemingway. Their selfish use of oxygen. The blank…

  • You

    Sit down. No, you’re not in trouble. This isn’t about dangling too many participles or ending sentences with prepositions. It’s not about your premise or your plot. It’s not about your characters (they’re all really very lovely). And it’s not about your craft. You want what? A drink? Sure. What would you like? I have tea and coffee and… Really? This early? How about just the orange juice without the vodka? Okay, where was I? Oh, right. You’re a good writer. Your novel is competent, smart and entertaining. You’ve obviously read lots of books on how to write. I bet you read all the really popular agent and editor blogs, too.…

  • Listening Room

    A few years ago, back when I was a cubicle dweller, I had the privilege of representing my publishing house at a local writers’ conference. I stocked up on Altoids (licorice, because that’s just how I rolled back then), made sure there was a pitcher of water nearby, sat down at my table and awaited the first of twelve victims…um…I mean hopeful authors. I’m far from a conference expert, but my limited experience has taught me that the one-to-one meetings with unpublished authors can be endurance tests for both the editor and the writer. The editor, though hopeful to find that rarest of creatures – a writer with more talent…

  • Sorting Through the Noise

    So you sit down to write, and that’s when you hear it. (Okay, maybe you stand to write, but…really? Are you one of those standing desk people? I’ll bet you have great calves and a resting pulse under 60, but you’re making those of us who would rather write from the horizontal office* look bad. So stop it. At the very least, sit down. At a desk.) The noise. No, not your character’s voices. Well, they’re in the mix somewhere, but it’s hard to hear them above the literary agent screaming about why it’s critically important to make your first page shine and the writing expert who keeps repeating the…

  • The Beauty of Things Unsaid (Advice for the 2nd Draft)

    Don’t tell me the moon is shining; show me the glint of light on broken glass. ~Anton Chekhov Words are a writer’s currency. But too many words – or the wrong ones – will devalue a written work faster than an oil spill devalues an oil company’s stock. This isn’t news to you. You know all too well the struggle to find the right words to tell your story. (Put down the thesaurus. That’s not what I mean. Have you even been reading this blog?) And so you write. And write. And write some more. And you finally finish your first draft. And yet when you go back to read…