• Nothing New Under the Sun

    I used to be quite prolific in this space. I know that’s difficult to believe as you scroll down to find the most recent post is from February and the one before that is almost a year older and neither of them has a clever title like, “How to Write When You’ve Forgotten What Words Are,” or “How Can I Possibly Finish This Book When My Protagonist Is Smarter Than I Am?”, or “Six Places in Your House (Besides Under Your Desk) Where You Can Hide From Your Novel.” It’s not that I don’t have anything to say about the writing life. (I have plenty.) It’s just that I don’t…

  • How to Be a Writer During a Pandemic

    It’s been a crazy year for writers. For some of you, it’s been a curiously productive season, despite all the challenges introduced by the pandemic. Perhaps your writing success was prompted by the change to your routine, or the self-induced pressure to make something good out of something awful. Or maybe it was that “I’m a writer…I can’t not write” thing forcing words to the page. [Is that a real thing? Or just something writers say to sound cool? It sounds oppressive to me. “I’d love to feed the kids and walk the dog and shower more than once a month, but I can’t leave the computer because my hands…

  • Life (Or Something Like It)

    I hesitated before deciding to write this post, not because of the words that follow, but because this is a writing blog, and a personal post about my life just seemed a little indulgent. But then I remembered good writing is all about tapping into truth, and what could possibly be truer than the life we’re living? Well, mine has been…interesting. Some of you know that last May I took on the responsibility of caring full-time for my Granddaughter, Harper. (She turned five in December, three days after Christmas. I know, right? December birthdays. Sigh. think I’ll introduce half-birthdays this year.) The first two months or so, I dedicated my time 24/7…

  • Dear Reader Who Didn’t Love My Book…

    Dear Reader Who Didn’t Love My Book, First of all, thank you. You took a risk on me. I really appreciate that. Asking a stranger to read your novel is just about the hardest thing we writers have to do. (Apart from writing query letters.) So when someone actually decides to purchase a book, we experience a rare and wonderful gratitude that you decided to take the plunge. A rare and wonderful gratitude that is quickly buried by an avalanche of anxiety. See, here’s the thing: I want to have written the book just for you. I do. But there’s a good chance I didn’t. It’s not that I don’t respect your personal taste…

  • Why

    It’s a common response to the big “why” question. I hear it all the time. I’ve used it myself once or twice. “I write because I have to.” But unless someone is pressing your fingers to the keyboard, it’s simply untrue. Even for those of you who are facing a looming deadline. You don’t have to meet that deadline. Really, you don’t. Yeah, you’ll ruin your editor’s day, and you could theoretically lose your publishing deal, but no one is forcing you to give up binge-watching “Jennifer Jones” in order to finish chapter sixteen – the one where that thing happens you haven’t yet thought of that makes the whole novel work. No one is forcing you…

  • The First Book

    Congratulations. You’ve written a novel. Your first. It’s no longer a thing “you’d like to do someday,” it’s a thing you did. The End. You just wrote that, and it made you smile. Family members barely recognize you. Where’s the sullen, contentious, lost, confused, un-showered, frustrated writer-wannabe they’d come to expect every time you crawled out of your writing cave into the real world to briefly consider eating food that doesn’t come out of a plastic bag? She’s gone. That was the exhausted, mud-caked, sweaty Basic Training writer; the “I’m going to finish this thing if it kills me” writer. You’re not her anymore. You’re a Bonafide Author now. And guess what? Your book, this very first novel…

  • Dis-Encouragement

    This is not a hopeful post. Usually when I say something like that up front it’s just a clever (or not so clever) ruse; a setup for the inevitable twisty punchline that will leave you feeling strangely encouraged, despite having walked barefoot across the broken glass path of a none-too-pleasant publishing reality. There is no clever twist this time. Have you seen the movie, 500 Days of Summer? When it begins, you’re certain it’s going to be a love story, but then the voiceover says, without apology: “This is a story of boy meets girl. But…you should know up front, this is not a love story.” This post is like that. I haven’t touched any of my works-in-progress…