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Writer Vs. Self-Editor
Once upon a time, there was a writer… Whoa, hold on there. Wait one darn minute, mister. Excuse me? “Once upon a time”? Really? Where’s the originality in that? Surely someone who calls himself a “writer” can do better. There was a writer… Pa-thet-ICK. Look, I’m just trying to… “Was.” Passive verb, my friend. You should know this by now. Passive verbs suck. Spice it up a bit. Put some life in your words or you’re going to put your readers to sleep. I appreciate your concern, but I’m not trying to write the Great American Novel. It’s just a blog post on… Just a blog post? Attitudes like that…
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10 Reasons You Don’t Have an Agent
Your writing is unremarkable. You may have worked hard to craft a good story, followed all the rules – trimming unnecessary prepositional phrases, chopping adverbs, replacing passive verbs with active verbs – but the result is indistinguishable from any of a hundred other novels the agent has reviewed in the past month. Solution: Find your writer’s voice and pray it’s a good one. A writer’s voice is that unique stamp that sets his or her words apart from others. There’s no simple (or universal) definition for “writer’s voice,” but typically it will be revealed in such things as an author’s word choice, writing rhythm, and that intangible thing called “tone”…
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Inspiration, Perspiration and Aspiration
Thomas Edison is famously known for coining the oft-quoted phrase, “Genius is one percent inspiration and 99 percent perspiration.” Some folks hovering in the shadows of the publishing industry have glommed onto this quote as a rallying cry for aspiring authors. “It’s not about talent – it’s about hard work,” they say. Well, they don’t actually say “it’s not about talent,” but the implication of Edison’s statement when recklessly applied to creative genius is that anyone with even a penny’s worth of an idea can work hard enough to someday achieve their publishing goals. Nope. Not true. I’ll wait while you take a moment to quote examples of “no-talents” who…
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How Do You Write What You Don’t Know?
[Note: Stephen is currently collecting data on what it’s like to experience a great deal of pain (for use in some future work of fiction, of course), so this post is gonna be short. He’s really counting on a couple of you providing the bulk of the post in the comments section. Bring on your wisdom.] Okay, here’s the question of the day: How do you write a scene where a character experiences something you’ve never personally experienced? I mean things like shooting an innocent man. Jumping from a speeding car. Standing on stage in front of 100,000 adoring fans. Facing your greatest foe. Kissing someone who is not your…
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I’m Good at Drawing Frogs
When I was 10 years old, I liked drawing almost as much as writing. And though I dabbled in the drawing of reptiles, particularly snakes (which are actually a bit more complex than one might assume, despite their limbless design), I became particularly adept at frogs. If you wanted a drawing of a frog, you came to me. I enjoyed drawing frogs. I mean, frogs are definitely the sort of creature boys ought to draw if they draw at all. Well, frogs and spiders. (Though if you ask me, spiders are more about math that art. Can you count to eight? You can draw a spider.) But I also liked…
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Let It Die
Is it time let your novel die? That’s a question every writer faces at least once in his or her writing life. The decision to pull life support is difficult at best, debilitatingly impossible at worst. You’ve worked on this novel for, what, months? years? How many hours have you invested? Even a poorly-written novel takes a long time to write. Then there’s the emotional cost. Whether you love your characters or hate them, they’ve most likely become real to you. (I’m 99 percent certain I’ve seen some of mine hanging out at the local Starbucks.) Giving up on their story can feel like signing a bundle of death warrants.…
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910 Words About Word Count
Okay, let’s do the math. (Approximate word counts noted.) Harry Potter and the Order of the Phoenix, J.K. Rowling – 257,000 words. The Stand, Stephen King – 464,000 words. War and Peace, Leo Tolstoy – 560,000 words. The Sun Also Rises, Ernest Hemingway – 68,000 words. Fahrenheit 451, Ray Bradbury – 46,000 words. The Color Purple, Alice Walker – 67,000 words. Wuthering Heights, Emily Bronte – 108,000 words. Your Novel, Your Name – ??? If you’ve finished a novel, you know how much ink, sweat and tears goes into the process of putting all those words to paper. So just how many words do you have in that book, anyway?…